Color Correct
Color Correct manipulates red, green and blue values of the overall image and separately in the shadows, midtones and highlights. Brightness, gamma and contrast controls allow for further control.
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Color Corrected |
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Matte Generator
The Matte Generator extracts and creates mattes using advanced matte extraction techniques. Methods of matte extraction are luma, chroma, red, green, blue, cyan, magenta, and yellow. Up to 5 mattes can be extracted and combined.
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Composite
Composite layers a foreground over a background using a matte with the ability to add drop shadows. To create realistic composites, it is necessary to be able to color correct, blur or grain either the foreground or background. These features are available in Composite as well some of the other plug-ins where the seamless combination of images is important. Composite also lets you manipulate the matte using grow, shrink and blur tools. A crucial feature in creating seamless composites, the Composite's edge blending allows for blurring and controlling the opacity of the foreground images' edge. This one plug-in has all you need for completing sophisticated composites in one place.
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Foreground |
Edge Matte |
Matte |
Composite |
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Defocus
Defocus replicates a true camera defocus by blooming highlights as the images blurred. You can also define what is considered highlights by using Composite Suite's unique matte generator.
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Fast Blur
Can you guess what this one does? That's right, it blurs the image with individual horizontal and vertical controls. It's fast and high quality.
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Frame Averager
Average mixes frames together to create interesting motion effects.
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Grain
Grain simulates film grain and there is individual control of red, green, and blue grain size and intensity.
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Holdout Composite
To add practical fire, explosions, fire or other footage not containing an alpha channel, is normally a challenge. A normal Math Composite ADD function would cause areas of the background to get brighter. This is bad. Using a key of some type would most likely generate unwanted, dark edges. This is also bad. The Holdout Composite is a two-layer effect that effectively composites images such as fire, explosions and smoke.
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Foreground |
Composite |
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Light Composite
Light can be added into scene where none existed before. Unlike anything you've seen before, the Light Composite adds light to the scene just as if you were adding a light at the time of shooting. Relying on special matte extraction techniques, isolation of specific parts of the image is quick and easy. Once isolated, light or shadow is introduced. In addition, a pre-built light library includes windows, doors, leaves and abstract patterns allow you to add realistic lighting or shadow to scenes.
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Math Composite
The Math Composite combines two clips using one of the image Math functions. You can choose from Add, Subtract, And, Or, Xor, Min and Max.
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Foreground |
Composite |
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Matte Repair
A single-track effect, Matte Repair allows you to grow, shrink or blur a matte. It also is handy for cleaning up impurities in the black or white areas of the matte.
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After |
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Non-Additive Mix
Known as a NAM, the non-additive mix combines two pictures by controlling their luminance level relative to each other as well as a set mix percentage. This popular video switcher effect has been included to satisfy those die-hard online video editors.
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Foreground |
Composite |
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Paste Color
The Paste Color takes the luminance values of the foreground image and pastes them as a color over the background.
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Foreground |
Composite |
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Selective Colour correct
Relying on advanced matte extraction techniques, isolation of specific parts of the image is quick and easy. Once isolated, these areas of can be selectively color corrected.
Selective Soft Focus
Selective areas of Soft Focus can be added into scene where none existed before. Relying on advanced image analysis techniques, isolation of specific parts of the image is quick and easy. Once isolated, areas of defocus can be introduced.
